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Holi - Hindu Festival of Colors
History

By , About.com Guide

Holi as a festival seems to have started several centuries before Christ as can be inferred from its mentions in the religious works of Jaimini's Purvamimamsa-Sutras and Kathaka-Grhya-Sutra.

Holi in Temple Sculptures
Holi is one of the oldest among Hindu festivals, there is no doubt. Various references are found in the sculptures on walls of old temples. A 16th century panel sculpted in a temple at Hampi, capital of Vijayanagar, shows a joyous scene depicting Holi where a prince and his princess are standing amidst maids waiting with syringes to drench the royal couple in colored water.

Holi in Medieval Paintings
A 16th century Ahmednagar painting is on the theme of Vasanta Ragini - spring song or music. It shows a royal couple sitting on a grand swing, while maidens are playing music and spraying colors with pichkaris (hand-pumps). A Mewar painting (circa 1755) shows the Maharana with his courtiers. While the ruler is bestowing gifts on some people, a merry dance is on, and in the center is a tank filled with colored water. A Bundi miniature shows a king seated on a tusker, and from a balcony above some damsels are showering gulal (colored powders) on him.

Birthday of Shri Chaitanya MahaPrabhu
Holi Purnima is also celebrated as the birthday of Shri Chaitanya Mahaprabhu (A.D. 1486-1533), mostly in Bengal, and also in the coastal city of Puri, Orissa, and the holy cities of Mathura and Vrindavan, in the state of Uttar Pradesh.

Making the Colors of Holi
The colors of Holi, called 'gulal', in the medieval times were made at home, from the flowers of the 'tesu' or 'palash' tree, also called 'the flame of the forest'. These flowers, bright red or deep orange in color, were collected from the forest and spread out on mats, to dry in the sun, and then ground to fine dust. The powder when mixed with water made a beautiful saffron-red dye. This pigment and also 'aabir', made from natural colored talc, which were extensively used as Holi colors, are good for the skin, unlike the chemical colors of our days.

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